“Jerry Schatzberg, who did the Bob Dylan’s Blonde on Blonde album cover, clued me into the power of the 'close up', Richard Avedon taught me how to keep focus and concentrated as I watched him work in his studio, and Robert Freeman, photographer of the Beatles revolution, took me under his wings and taught me many things about lighting and framing. And so for me photography became my shield, and a means of resistance, a way of affirming my view of the world.”